Television, Film Services, sound and vision equipment for hire

Now available for hire from Television Film Services.

The Panasonic AG-HVX200 HD Camera-Recorder

Introducing for hire the AG HVX200.

This handheld DVCPRO HD P2 camera-recorder is designed to meet emerging needs in HD content production. It debuts as Panasonic's first HD video product to use P2, the cutting-edge memory recording device that has the potential to revolutionize the entire production paradigm.

The AG-HVX200 records HD, either 1080i or 720p video acquired by a new optical system and high-performance digital signal processor onto a P2 card using the broadcasting DVCPRO HD codec. This system achieves a level of image quality that conventional handheld HD cameras simply cannot match, while also supporting HD/SD multi-format and multi-codec recording capabilities.

Variable frame rate recording is just one of the features that makes the AG-HVX200 unique in its class. Using technologies that make the Panasonic VariCam camera-recorder a favourite in movie production, this powerful function allows the over cranking and under cranking techniques used with film cameras to create fast-motion and slow-motion effects. The P2 card offers superior reliability, immediate playback and outstanding cost-performance. It allows direct connection to non-linear editing systems and streamlines the production work flow, by providing to the editing system data files ready to be edited, rather than a video tape which would require the task of digitising.

On top of all its advanced features and technologies, the AG-HVX200 inherits the refined design and easy operation that distinguishes Panasonic's high-value DVX100 DV camera series. In the AG-HVX200, video professionals of all kinds will find a powerful tool for giving form to their creative visions.

True high definition image quality with low-compression DVCPRO HD intraframe recording
Multiple formats: DVCPRO HD, DVCPRO 50, DVCPRO, DV selectable
High definition recording formats: 1080/60i, 1080/24p, 1080/24pA, 1080/30p, 720p (variable frame rates)
Standard definition recording formats: 480/60i, 480/24p, 480pA, 480/30p
CineSwitchTM technology for variable frame rates in 720p mode: 12, 18, 20, 22, 24, 26, 30, 32, 36, 48, 60fps
1/3" 16:9 native high-sensitivity progressive 3-CCD with 1080/60p scanning
New DSP with 14-bit A/D conversion and 19-bit internal processing for unprecedented accuracy
16:9/4:3 switch able for standard definition recording, 16:9 native for HD
Wide angle Leica Dicomar HD lens with optical image stabilizer (motorized/manual mode switchable)
High resolution 235,000 pixel .44" electronic viewfinder (EVF) with 90 degree tilt and detail function (for easier focusing)
High resolution 210,000 pixel flip-out 270 degree 3.5" LCD display
Thumbnail display for easy searching and file information
Auto/manual focus with focus assist (even during recording)
Cam-driven manual zoom
13X zoom range: focal length = 4.2 to 55mm (35mm equivalent: 32.5 to 423)
Advanced gamma functions and eight gamma settings including two CineGammaTM modes and NewsGammaTM mode
Advanced image adjustments: color matrix, detail, chroma phase, color temp, knee points
Two ND filters: 1/8, 1/64
82mm filter diameter
Two P2 card slots with hot swap capability
Hot swap, loop, pre-record (3 seconds in HD, 7 seconds in SD), one shot, and interval recording functions
Mini-DV tape transport for DV recording
Internal downconversion and frame rate conversion from HD source recorded on P2 cards to Mini-DV tape
48kHz 16-bit 4-channel PCM audio (2 XLRs with phantom power)
Built-in stereo microphone (unidirectional microphone optional)
Audio dials and flexible input selection
Analogue component (Y, Pb, Pr) output

Composite input/output
S-Video input/output
Standard IEEE 1394 interface
External recording to FOCUS FireStore FS-100 via IEEE 1394 streaming
Host mode for transferring previously recorded content on P2 cards to an external hard drive via IEEE 1394
Compatible with non-linear editing systems from Apple, Avid and Canopus
USB 2.0
SD memory card slot for sharing scene files
Remote control for zoom, record (start/stop)
Remote control for focus, iris control
SMPTE timecode reader/generator with timecode matching with multiple cameras via IEEE 1394
SMPTE color bars
Three programmable user buttons
Six pre-set scene files (user programmable)
Shot marker function
Slow, synchro and high speed shutter
White balance with auto tracking white function
Trigger and zoom control on upper handle grip
Ultra-tough magnesium alloy chassis
Supplied accessories include CG-AD54SE/1B Lithium-Ion 7.2V / 5400mA snap-on battery, AG-B15 AC adaptor/battery charger, microphone holder, component video cables with RCA-BNC adaptors, remote control, shoulder strap and instruction manual

Rates £100/day
Extra 16 Gig cards available for hire

Introducing RED ONE

The RED ONE^TM body - designed for flexibility and functionality. Weighing in at around 9 lbs, a streamlined package specifically designed to maximize your shooting options. Matched with a 35mm PL lens mount it allows you to take advantage of the world's best optics. Modular and upgradeable, the RED ONE^TM camera is a future-proof acquisition system you can build upon. RED ONE^TM's modular design means you can upgrade with us as we add new features, accessories and improve system specifications.

PIXEL SHIFTING AND UP-REZZING NOT SPOKEN HERE
Typical high-end HD camcorders have 2.1M pixel sensors and record with 3:1:1 color sub-sampled video at up to 30fps. RED can deliver 12M pixels at up to 60fps and record wide dynamic range and color space 12 bit native RAW. That's more than 5 times the amount of information available every second and a vastly superior recording quality. Don't need all that data for your workflow? Dial it back, and keep all the other advantages of the Mysterium ^TM Super 35mm cine sized (24.4×13.7mm) sensor. You get the same breathtaking Depth of Field and selective focus as found in film cameras using equivalent 35mm P/L mount lenses. Mysterium ^TM boasts greater than 66db Dynamic Range thanks to its large 29 sq. micron pixels. And 12,065,000 pixels deliver resolution that can only be called Ultra High Definition.
RED ONE IS A MODULAR DESIGN
Shoot lightweight EFP style (body around 9 lbs., in rugged aluminum alloy) or load it up to shoot a feature film. Options include RED-RAIL^TM mounting accessories that 'grow' the camera body. Configure for tripod, crane or long lens applications. High-resolution RED monitors come equipped with advanced tools for framing, exposure and focus. The RED ONE^TM body and RED-RAIL components provide numerous mounting points to allow hundreds of optional RED and third party accessories... some that haven't even been dreamed of yet.

Technical Specifications
Sensor : 12 Megapixel Mysterium^TM
Physical Size : 24.4mm x 13.7mm (Super35mm)
Active Pixel Array : 4520 (h) x 2540 (v)
Full Pixel Array : 4900 (h) x 2580 (v)
Dynamic Range : > 66dB
Depth of Field : Equivalent to 35mm Cine Lenses (S16mm with windowed sensor), 2540p (via RAW PORT^TM option)
Acqusition Formats : 4K, 2K, 4K RGB, 2K RGB
Delivery Formats* : 1920×1080 progressive, RGB or 4:2:2 , 1280×720 progressive, RGB or 4:2:2
Project Frame Rates : 23.98, 24, 25, 29.97, 30 fps 4K plus 50, 59.94, 60 fps 2K (windowed sensor)
Video Preview : HD-SDI and HDMI 1280×720 progressive, 4:2:2 FireWire 800/400, USB-2 and e-SATA interfaces
Digital Media : RED-DRIVE^TM hard disk drive (320GB), RED-RAM^TM flash memory drive (64 GB), REDFLASH^TM (CF) compact flash module
REDCODE^TM : 12 bit RAW 4K, 2K (windowed sensor), 1 - 30 fps 4K, 1 - 100 fps 2K
RAW PORT^TM Option : High speed serial interface, 1 - 60 fps 2540p (4K+)
Audio : 4 channel uncompressed, 24 bit, 48KHz
Monitoring Options : RED-LCD^TM High Resolution Monitor, RED-EVF^TM High Resolution Viewfinder
Weight : Around 10 lbs (without lens, battery and viewfinder)
Construction : Aluminum alloy

Hire cost is expected to be around £270/day or with REDtm prime lenses £500/day

Panasonic Varicam AJ-HDC27FE

The AJ-HDC27FE combines variable frame rates that emulate the speed effects of a film camera with cine gamma image quality.
2/3"-HD Cinematography Camcorder
Variable frame rate
Cine-Gamma Function

Camera Features

Three 2/3" 1,000,000 pixel high definition CCD
Cine-gamma function
12 bit A/D Converter
2,000 lux sensitivity at F12 / 640 ASA
Minimum illumination: 0.7 lux (at F1.4, +36 dB gain 59.94 p)
New high-resolution emulation mode
Variable frame rate (4 fps to 60 fps)
Frame rate switching can be assigned to a user button
Gain: -6/-3/0/+3/+6/+9/+12/+18/+24/+30 dB (-6 dB in video menue)
Super Gain: +18/+24/+36 dB
Video S/N: 54 dB
Horizontal resolution of 700 TV lines at center
7 shutter speeds: (1/60, 1/100, 1/120, 1/250, 1/500, 1/1000 and 1/2000 sec.), plus 3°-350° (0.8%-97.8%) variable
2/3" bayonet lens connector
Selectable optical filters ND, CC
Up to 8 setup data files can be stored on an SD Memory Card (Panasonic)
Up to 64 lens files can be written to an SD Memory Card (Panasonic)
Adoption of film accessories possible (ARRI, Chrosziel....)
Optional Viewfinder AJ-HVF27BP
VTR FEATURES
DVCPRO HD (720p, 60Hz/720p, 59.94Hz)
1/4" DVCPRO HD cassette tape
Maximum recording time: 32 minutes (using AJ-HP64ELG)
Two individual HD-SDI outputs

Price on application

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UHF Multi-Area Diversity Antenna Distribution System

The SAA002 UHF Multi-Area Diversity Antenna Distribution System allows the user to configure reliable Radio MIC operation where the same transmitter is moved across a number of areas, electromagnetically shielded from one another. The system combines up to four pairs of diversity antennas, located in different areas, process the combined signals and then outputs four pairs of signals to drive diversity receivers. The unit is mains powered and provides for switchable +12V DC feed on the antenna inputs to power the active antennas, if used. These 12V supplies for powering any active antennas or other in line devices are short-circuit protected by means of external fuses. The unit’s switching power supply is designed to operate properly from any AC power source 100-240V, 50/60 Hz without adjustment.

Specification

Useable Frequency Range User specified eg 838-862 MHz
Nominal System Gain 0 dB, ±2 dB
Input/Output Impedance 50 Ohm
Output Connector Isolation 20dB min
Connector N Type on 2U unit
Phantom Power +12V DC on RF input connector,150mA max per connector.
Power Supply Input 100-240V AC, 50/60 Hz, auto-adjusting, 20W
Dimensions 19" 2U rack mounting.

Price on application

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Radio mic booster / Amp

The SPA001 is a 1 Watt power amplifier designed for such applications as Radio MIC’s usage over a large area e.g. Golf course and amplification of multiple IEM channels. The power amplifier is housed in compact Aluminium housing with an integral heatsink. The dc current consumption of the amplifier is typically 350mA from a +12v supply.

Specification

Frequency Range 500 - 900MHz
Amplification 18dB typ.
Output Power 1W min - With 30mW input
Passband Return Loss 15 dB min over operating band
Input/Output Impedance 50 Ohm
Power Supply +12V dc @ 350mA max via 2-pin Lemo Connector
Size 95mm x 55mm x 30mm approx
Input Connector: SMA Female
Output Connector: N Type Female

Price on application

Now available as package with transmitter, belt and 12 volt battery supply.

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The ultimate surround sound 5.1 and 6.1 microphones.

SoundField SPS422B Microphone System Specifications: Microphone Front Sensitivity: 122dB at 0dB gain Maximum input for less than 0.5% THD: 145dB SPL Frequency Range: 20Hz to 20Khz Equivalent self noise (IEC 179, cardioid): 14dB A weighted Maximum Output Level: +22dBu Minimum Load: Stereo Output 600 ohms, Headphone 400 ohms. Output Impedance: 100 Ohms Balanced SPS422 Brochure Hire Prices: £40/Day, £160/Week

SoundField ST250 Microphone System Specifications: Microphone Front Sensitivity at -27dBv gain (fixed) at 80dB input level Maximum input for less than 0.5% THD: 135dB SPL with 20dB pad in, 115dB pad out. Frequency Range: 20Hz to 20Khz Equivalent self noise (IEC 179, cardioid): 17dB A weighted Maximum Output Level: +12dB (hotter than normal mic level, lower than normal line level) Minimum Load: Stereo Output 100 ohms, Headphone 75 ohms. Output Impedance: 100 Ohms Balanced ST250 Brochure Hire Prices: £40/Day, £160/Week

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Shure E5 Sound Isolating Earphones

Dual high energy micro-speakers with wide-frequency stereo sound, great accuracy and isolation from outside noise.

SPECIFICATION

Transducer Type: dual low mass/high energy
Sensitivity (at 1 kHz): 122 dB SPL/mW
Impedance (at 1 kHz): 110 ohms
Output Connector: Gold-plated stereo, 3.5 mm (1/8-inch) phone plug
Cable Length: 1.55 m (61 in.)
Price on application

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2004 Television Film Services