Introducing RED ONE

The RED ONE^TM body - designed for flexibility and functionality. Weighing in at around 9 lbs, a streamlined package specifically designed to maximize your shooting options. Matched with a 35mm PL lens mount it allows you to take advantage of the world's best optics. Modular and upgradeable, the RED ONE^TM camera is a future-proof acquisition system you can build upon. RED ONE^TM's modular design means you can upgrade with us as we add new features, accessories and improve system specifications.

PIXEL SHIFTING AND UP-REZZING NOT SPOKEN HERE

Typical high-end HD camcorders have 2.1M pixel sensors and record with 3:1:1 color sub-sampled video at up to 30fps. RED can deliver 12M pixels at up to 60fps and record wide dynamic range and color space 12 bit native RAW. That's more than 5 times the amount of information available every second and a vastly superior recording quality. Don't need all that data for your workflow? Dial it back, and keep all the other advantages of the Mysterium ^TM Super 35mm cine sized (24.4×13.7mm) sensor. You get the same breathtaking Depth of Field and selective focus as found in film cameras using equivalent 35mm P/L mount lenses. Mysterium ^TM boasts greater than 66db Dynamic Range thanks to its large 29 sq. micron pixels. And 12,065,000 pixels deliver resolution that can only be called Ultra High Definition.

RED ONE IS A MODULAR DESIGN

Shoot lightweight EFP style (body around 9 lbs., in rugged aluminum alloy) or load it up to shoot a feature film. Options include RED-RAIL^TM mounting accessories that 'grow' the camera body. Configure for tripod, crane or long lens applications. High-resolution RED monitors come equipped with advanced tools for framing, exposure and focus. The RED ONE^TM body and RED-RAIL components provide numerous mounting points to allow hundreds of optional RED and third party accessories... some that haven't even been dreamed of yet.

Technical Specifications

• Sensor : 12 Megapixel Mysterium^TM
• Physical Size : 24.4mm x 13.7mm (Super35mm)
• Active Pixel Array : 4520 (h) x 2540 (v)
• Full Pixel Array : 4900 (h) x 2580 (v)
• Dynamic Range : > 66dB
• Depth of Field : Equivalent to 35mm Cine Lenses (S16mm with windowed sensor), 2540p (via RAW PORT^TM option)
• Acqusition Formats : 4K, 2K, 4K RGB, 2K RGB
• Delivery Formats* : 1920×1080 progressive, RGB or 4:2:2 , 1280×720 progressive, RGB or 4:2:2
• Project Frame Rates : 23.98, 24, 25, 29.97, 30 fps 4K plus 50, 59.94, 60 fps 2K (windowed sensor)
• Video Preview : HD-SDI and HDMI 1280×720 progressive, 4:2:2 FireWire 800/400, USB-2 and e-SATA interfaces
• Digital Media : RED-DRIVE^TM hard disk drive (320GB), RED-RAM^TM flash memory drive (64 GB), REDFLASH^TM (CF) compact flash module
• REDCODE^TM : 12 bit RAW 4K, 2K (windowed sensor), 1 - 30 fps 4K, 1 - 100 fps 2K
• RAW PORT^TM Option : High speed serial interface, 1 - 60 fps 2540p (4K+)
• Audio : 4 channel uncompressed, 24 bit, 48KHz
• Monitoring Options : RED-LCD^TM High Resolution Monitor, RED-EVF^TM High Resolution Viewfinder
• Weight : Around 10 lbs (without lens, battery and viewfinder)
• Construction : Aluminum alloy

Hire cost is expected to be around £270/day or with RED^TM prime lenses £500/day