microphone
416 |  |  |
The MKH 416 is a short gun interference tube microphone. Its excellent directivity and compact design, high consonant articulation and feedback rejection make the MKH 416 a superb all-round microphone for film, radio and television, especially for outside broadcast applications.
Features:
Increased directivity due to interference tube principle
Very low inherent self-noise
High sensitivity
Transformerless and fully floating balanced output
Rugged, suitable for adverse climatic conditions
Matt black all-metal body
Rycote not included,available separately
Super cardioid
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microphone
DPA 4088 | |  |
| Headset condenser microphone.
The 4066 is a very lightweight flexible minature microphone solution using a prepolarised omnidirectional capsule with a 5.4mm vertical diaphragm. The sensitivity of 6mV/Pa matches the level of the human voice to the general input sensitivity of most wireless transmitters and a wide range of connection adapters are available. Ideal for theatrical and broadcast applications, water and humidity resistant and available in black and brown.
Personnel Headband
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microphone
MKE2 1053C | |   |
"The MKE 2-1053-C is a high-quality, sub-miniature clip-on lavalier microphone which has a multitude of applications where other clip-on microphones prove too obtrusive because of their larger size. It fulfils the most stringent sound quality demands and is extremely robust. It is suitable for both speech and instrument miking applications in all areas of live work. Colour: matt black."
Features
Flat frequency response
Good suppression of handling noise
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microphone
MKE2 3 | |  |
The MKE platinum is a high-quality, sweat-resistant, sub-miniature clip-on microphone designed for all areas of live work. It features excellent sound quality and rugged design. The frequency response curve has been optimised for live stage work, with more headroom in the treble for higher levels and improved feedback rejection. The MKE platinum is fitted with a very thin (only 1 mm) yet rugged cable, making this microphone an ideal partner for all live sound applications. Colour: beige.
Features:
Umbrella Diaphragm protects the mic against sweat
Versatile attachment due to an extensive range of accessories
High maximum sound pressure level
Wide frequency response
Treble response adapted to the requirements of live stage work
Thin (only 1 mm), flexible and rugged cable, low in handling noise
Personnel
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microphone
MKH20 | |  |
The MKH 20 is usually used as a main microphone for orchestras and solo instruments, and picks up the natural acoustics of the room, though it does have a much wider range of applications as omni-directional microphones do not suffer from 'proximity effect'.
Features:
Exceptionally flat frequency response, switchable for near and diffuse field applications
High-frequency response can be accentuated by means of a pressure build-up ring
Slightly increasing directivity at high frequencies to adjust tonal balance
Exceptionally low inherent self-noise
Transformerless and fully floating balanced output
Switchable pre-attenuation
Black, anodised light metal body
Rycote not included, available separately
Omni
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microphone
MKH30 | |  |
The symmetrical transducer design of the MKH 30 produces an unusually wide and smooth frequency response. It is particularly suited to soloists and small instrumental groups and can also serve as an 'S' microphone in MS stereo applications. As a support microphone it is particularly useful in the effective suppression of sounds from adjacent sound sources.
Features:
High rejection of lateral sounds
Exceptionally low inherent self-noise
Symmetrical transducer technology ensures extremely low distortion
Transformerless and fully floating balanced output
Switchable roll-off filter to compensate for proximity effects at a distance of approx. 0.5 m
Switchable pre-attenuation
Black, anodised light metal body
Rycote not included, available separately
Figure 8
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microphone
MKH50 | |  |
The super-cardioid MKH 50 offers a higher attenuation of diffusefield and lateral sound than the cardioid microphone. It is principally designed for use as a soloist's or spot microphone for applications requiring a high degree of side-borne sound muting and feedback rejection. The directional characteristics are frequency-independent.
Features:
High rejection of lateral sounds
Exceptionally low inherent self-noise
Transformerless and fully floating balanced output
Symmetrical transducer technology ensures extremely low distortion
Switchable roll-off filter to compensate for proximity effects at a distance of approx. 0.5 m
Switchable pre-attenuation
Black, anodised light metal body
Rycote not included,available separately
Cardioid
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microphone
MKH60 | |  |
The MKH 60 is a lightweight short gun microphone. It is versatile and easy to handle and its superb lateral sound muting makes it an excellent choice for film and reporting applications. Its high degree of directivity ensures high sound quality for distance applications.
Features:
Extremely low inherent self-noise
High sensitivity
High directivity throughout the whole frequency range
Transformerless and fully floating balanced output
Infra-sonic cut-off filter
Symmetrical transducer technology ensures extremely low distortion
Switchable pre-attenuation, switchable roll-off filter and switchable treble emphasis
Rugged and weather-proof
Black, anodised light metal body
Rycote not included,available separately
Super cardioid
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microphone
MKH70 | |  |
The MKH 70 is a lightweight long gun microphone. Its excellent directivity is particularly suited to applications undertaken in difficult conditions, such as high background noise and distance microphone positioning. Its frequency-independent directivity prevents sound colouration from off-axis sound sources.
Features:
Exceptionally low inherent self-noise
Transformerless and fully floating balanced output
Infra-sonic cut-off filter
Symmetrical transducer technology ensures extremely low distortion
Switchable pre-attenuation, switchable roll-off filter and switchable treble emphasis
Rugged and weather-proof
Black, anodized light metal body
Rycote not included, available separately
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microphone
Senn 441 | |  |
The MD 441 U is a microphone of exceptional quality: its acoustic properties come as close as possible to those of a condenser microphone. Accurate signal response and low distortion are ensured, even with the highest sound pressure levels. Surface: all metal body with black leatherette finish, sound inlet basket: nickel plated.
Features:
Excellent feedback rejection
Excellent sound quality
Spring capsule mounting provides low sensitivity to handling noise
Hum compensating coil
Five position bass roll-off switch
Brilliance (treble boost) switch
Integral pop filter
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SoundField Microphone System
SPS422B | |  |
| Specifications:
Microphone Front Sensitivity: 122dB at 0dB gain
Maximum input for less than 0.5% THD: 145dB SPL
Frequency Range: 20Hz to 20Khz
Equivalent self noise (IEC 179, cardioid): 14dB A weighted
Maximum Output Level: +22dBu
Minimum Load: Stereo Output 600 ohms, Headphone 400 ohms
Output Impedance: 100 Ohms Balanced
SPS422 Brochure
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SoundField Microphone System
ST250 | |  |
Specifications:
Microphone Front Sensitivity at -27dBv gain (fixed) at 80dB input level
Maximum input for less than 0.5% THD: 135dB SPL with 20dB pad in, 115dB pad out
Frequency Range: 20Hz to 20Khz
Equivalent self noise (IEC 179, cardioid): 17dB A weighted
Maximum Output Level: +12dB (hotter than normal mic level, lower than normal line level)
Minimum Load: Stereo Output 100 ohms, Headphone 75 ohms
Output Impedance: 100 Ohms Balanced
ST250 Brochure
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