The 664 Field Production Mixer
The 664 Field Production Mixer is the new flagship in Sound Devices’ line of portable audio mixers. Building on the foundation of the popular 552 mixer, the intuitive 664 has six inputs channels and four output buses. All inputs and outputs are recordable to both CF and SD cards. This unprecedented amount of I/O connectivity and recording capability makes the 664 perfect for any production application
K-Array Redline Series KR200
Now available for hire from Television Film Services, the K-array Redline Series KR200s is a compact and efficient portable powered PA/stage monitor system ideal for Concert Halls, Theatre, Houses of Worship and AV presentations. It is comprised of the KL 18ma self-powered subwoofer with an additional DSP controlled powered output and 35mm pole adaptor designed for a KR200 ultra-slim line array satellite speaker. The KR200 is comprised of 2 x two meters stainless steel chassis each containing 32 x 2″ neodymium transducers. They are 5.5 cm wide and 7 cm deep, weighing 9 Kg total. They are hinged together for focusing and easier transport. Due to the slim profile and minimum distance between drivers it reproduces the full vocal frequency range with clear intelligibility and excellent phase coherent 120° x 7° coverage.
DUAL TRUE DIVERSITY – UHF MINIATURE CAMERA RECEIVER modular execution ‘stand-alone’ or ‘slot-in’ (Panasonic, Sony, Grass Valley)
Wisycom MCR42 is a receiver designed for camera mounting or stand alone use. Best-in-class performances. Four receivers are internally coupled by two in a real TRUE DIVERSITY CONFIGURATION. Its front end has a chain of microcontrolled-driven movable filters to allow BROADBAND OPERATION up to 240 MHz with great selectivity. A powerful low consumption DSP gives you the best of analogue and digital technologies in an hybrid approach for smooth operations, high coverage and with our patented PTT (push to talk) already integrated. Option of self powered by the use of AA batteries.
BBR1D BLACKBOX RECORDER
The BLACKBOX RECORDER BBR1b and D are a novel concept in live recording technology – a multi-track for the 21st century. it is no longer necessary to dismantle your home studio or recording studio to take a complete Digital Audio Workstation into a live venue to capture your live performance.
The BLACKBOX RECORDER plugs into any standard live mixing console via the normal insert points and not only allows for the capture of the performance but also will record the sound check to help set the foldback mixes and allow the performers to hear the live mix for themselves. In difficult acoustic spaces it also lets the sound engineer achieve the best balance without exhausting the band with endless rehearsals before the gig.
The BLACKBOX RECORDER provides 24 tracks of audio recording directly onto a removable USB2 disk drive that can be immediately plugged into your Digital Audio Workstation after the gig.
Recording the audio at up to 96kHz and at 24 bit resolution into standard Broadcast Wave (BWAV) files on a standard FAT32 formatted drive allows the user to replay the material on any workstation. Just unplug the disk from the back of the BLACKBOX RECORDER and plug it into your workstation as an external disk. No copying or reassembling your studio is required and you have every mixer input recorded and available to create the perfect live remix.
For really large multi-track recordings, multiple BLACKBOX RECORDER units can be chained together and operated from a single control surface.
The unit has been designed to be as simple as possible to operate, recognising that during a live performance the sound engineer will naturally need to concentrate on the sound for the audience and the performers.
Consequently, having connected up the unit to the desk the BBR1 defaults to all tracks being armed ready for record; just pressing Record will start the recording. If the record button is pressed again whilst in record, the BLACKBOX RECORDER will automatically start a new recording so that each song can be easily identified later. To end a recording requires the STOP button to be held for 2 seconds to ensure that the recording cannot be stopped accidentally.
A foot switch input is also provided and can be set up to duplicate the record button function so that the engineer doesn’t even have to move away from the console.
- Sample Rates: 44.1kHz, 48kHz, 88.2kHz, 96kHz
- Bit depths: 16bit; 24bit
- Disk interface: USB2
- Format: FAT32
- File type: Broadcast WAV (BWAV)
- Media: USB2 hard disk (7200rpm recommended), USB2 flash drive – 200x minimum (except for MADI and DANTE systems which have more demanding data rates), SHDC (Class 10 with suitable adapter except MADI and DANTE)
- Monitoring: 1 x 1/4â€ TRS jack socket, headphone mix/solo
- Physical: 19â€ rack mounted 1U
- Dimensions: (425mm x 150mm x 44mm)
- Weight: < 2.4kg
Control and Synchronisation
- MIDI: 1 x 5-pin DIN (open loop) â€“ MIDI time code (MTC) and MIDI machine control (MMC) protocol
- LTC: 1 x 1/4â€ TRS jack socket: Frame rates supported: 30fps, 29.97drop fps, 29.97non-drop fps, 25fps, 24fps, 23.98fps
- Machine control: 1 x 9-pin D, SONY PII protocol
- Audio clock synchronisation: 2 x RCA sockets AES3 / SPDIF Format, also used for communications to slave units
- Footswitch: momentary switch on ring of LTC TRS socket
- Keyboard: 1 x mini DIN PS2 connector, Standard 102 key
- Power: 9v â€“ 16V dc (< 25W). 2.1mm dc inlet. PSU supplied
- Levels: -10dBu / +4dBu switchable
- Max input level: +22dBu = 0dBFS
- A-D conversion: 24bit, 96kHz
- 106dB S/N, 96dB THD+N (typical A-weighted)
- Levels: -10dBu / +4dBu switchable
- Max output level: +22dBu = 0dBFS
- D-A conversion: 24bit, 96kHz 106dB S/N, 94dB THD+N (typical A-weighted)
- AES3 (2003) i/o via 3 x 25way D-sub connectors â€“ upper row. (Yamaha format pin out standard). Word clock input on BNC. Unbalanced analogue as BBR1U (cable looms not supplied)
Download user manual (PDF format)
Most computers have Adobe Reader as standard, if not download it from the link below.
Hire Prices: £30/Day, £120/Week